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As Toula's mother, Maria, Lainie Kazan is a delight.
The character she creates is totally credible, and she's just a joy to watch.
And for Toula, it just may be the hardest thing she's ever had to do in her life.
Ian, meanwhile, is about to experience culture shock, as he is about to be confronted by a family that includes, for example, twenty-seven first cousins, something Ian isn't quite used to; after all, he has `two' of his own, and they live in another state.
It is Maria and Voula that add some real spice to the film, and when you add in Gia Carides (who plays Nikki) to the mix, you've got a Greek feast fit for the gods.
Of all the actors in this wonderful cast, however, the one who absolutely steals `My Big Fat Greek Wedding,' is Michael Constantine, who has the role of his career in Gus, and without question, makes the most of it.
With Children, 1987-97), za którą był sześciokrotnie nominowany w Los Angeles do nagrody dla młodego artysty.
In another one of those surveys designed to amuse and bemuse, Career asked: “What’s the strangest complaint you’ve ever heard from an employee about a co-worker.
And Zwick sets it all in motion by establishing a pace that will sweep you along with the story; a carousel ride that will keep you involved and smiling all the way to the end.
And Nia Vardalos IS Toula, from the ground up and from the inside out.
Moreover, one would be hard put to discern any distinction whatsoever between the actor and her character, as her performance is entirely natural and genuine.
Nia Vardalos certainly captures the essence of all that is `Greek' with her story, and with her affecting performance as Toula.
This is a young woman you get attached to very quickly; there's something of Benny, from `Circle of Friends' about her, as well as Muriel, from `Muriel's Wedding.' It's a character your heart goes out to immediately, one to whom you wish all good things will come.
The screenplay was written by star Nia Vardalos, adapted from her own one-woman show, and it fell into capable hands when she turned it over to director Joel Zwick, who picks up the rhythms and the `sense' of the story without missing a beat.